{"id":5240,"date":"2017-05-03T08:54:41","date_gmt":"2017-05-03T07:54:41","guid":{"rendered":"http:\/\/landscape-festival.cz\/?page_id=5240"},"modified":"2018-06-08T16:50:46","modified_gmt":"2018-06-08T15:50:46","slug":"site-specific-instalace","status":"publish","type":"page","link":"http:\/\/www.landscape-festival.cz\/old\/minule-rocniky\/landscape-festival-plzen-2017\/program\/site-specific-instalace\/","title":{"rendered":"Site-specific instalace, happeningy"},"content":{"rendered":"

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KV\u011aTEN\u2013Z\u00c1\u0158\u00cd<\/p><\/div>

SITE SPECIFIC INSTALACE, HAPPENINGY<\/p><\/div>

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Moving Forest<\/p>

NL Architects<\/p><\/div>

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19. 5.\u20136. 6. \/ HAPPENING: 19. 5. od 17:30 <\/p>

n\u00e1m\u011bst\u00ed Republiky<\/p><\/div><\/div>

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Opening performance prob\u011bhlo v pod\u00e1n\u00ed 4 plze\u0148sk\u00fdch tane\u010dn\u00edch skupin \u00bb Afresh Dance Community<\/strong><\/a> \/ \u00bb Dance Center Petry Parvoni\u010dov\u00e9<\/strong><\/a> \/ \u00bb B-Original<\/strong><\/a> \/ \u00bb Spider Dance Company<\/strong><\/a>. Ka\u017ed\u00e1 ze skupin se zam\u011b\u0159uje na jin\u00e9 tane\u010dn\u00ed styly od hiphopu, contemporary, funky styles a\u017e po modernu s akrobaci\u00ed.\n
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Choreografie a koncept\/ Martina \u201eMaya\u201c Matou\u0161kov\u00e1\n
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Projekt MOVING FOREST<\/strong> byl inspirov\u00e1n poh\u00e1dkou o lese, v n\u011bm\u017e se stromy v noci pohybuj\u00ed, tak\u017ee ti kte\u0159\u00ed v n\u011bm zabloud\u00ed, se u\u017e nikdy nedostanou ven. \u00a0Architekta Gena Yamamota ze studia NL Architects \u00fadajn\u011b tato p\u0159edstava stra\u0161\u00ed dodnes.\u00a0V Plzni se pokus\u00edme pomoc\u00ed jeho experiment\u00e1ln\u00ed instalace\u00a0znovu otev\u0159\u00edt a prohloubit tradi\u010dn\u00ed diskusi o absenci zelen\u011b na hlavn\u00edm plze\u0148sk\u00e9m n\u00e1m\u011bst\u00ed a v p\u0159ilehl\u00fdch ulic\u00edch. Po skon\u010den\u00ed instalace budou stromy pou\u017eity pro vznikaj\u00edc\u00ed landartov\u00fd projekt p\u0159ed Fakultou designu a um\u011bn\u00ed Ladislava Sutnara.\n
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\u00bb NL Architects<\/strong><\/a>\n
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NL Architects je amsterdamsk\u00e1 architektonick\u00e1 kancel\u00e1\u0159, kterou spole\u010dn\u011b zalo\u017eili Pieter Bannenberg, Walter van Dijk a Kamiel Klaasse. Ofici\u00e1ln\u011b otev\u0159eli architektonickou praxi a\u017e v lednu 1997, ale spole\u010dn\u011b pracuj\u00ed ji\u017e od po\u010d\u00e1tku devades\u00e1t\u00fdch let. V\u0161ichni t\u0159i absolvovali Technickou univerzitu v Delftu. \n
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NL Architects na sebe poprv\u00e9 upozornili v roce 1994 \u00fasp\u011bchem ve studentsk\u00e9 sout\u011b\u017ei Archiprix s projektem Carstadt, kter\u00fd inovativn\u00edm zp\u016fsobem kombinoval obchodn\u00ed d\u016fm a gar\u00e1\u017ee v historick\u00e9m j\u00e1dru Amsterdamu. Od t\u00e9 doby se etablovali jako jedna z nejzaj\u00edmav\u011bj\u0161\u00edch architektonick\u00fdch kancel\u00e1\u0159\u00ed, zda\u0159ile kombinuj\u00edc\u00ed promy\u0161lenost koncept\u016f s humorem. \n
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Pr\u00e1v\u011b humor je jednou z velk\u00fdch deviz architektonick\u00e9ho v\u00fdzkumu tohoto p\u0159edn\u00edho evropsk\u00e9ho studia. Humor se v architektu\u0159e moc nenos\u00ed, ale pr\u00e1v\u011b NL Architects se d\u00edvaj\u00ed na sou\u010dasnou architekturu a urbanismus \u00fapln\u011b jin\u00fdm prismatem.\n
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\nfoto \u00a9 Mat\u011bj Vesel\u00fd, Mark\u00e9ta Tich\u00e1, Hana Bo\u0159\u00edkov\u00e1\n<\/p><\/div>

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Greening The City<\/p>

NL Architects<\/p><\/div>

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19. 5.\u20136. 6. \/ HAPPENING: 20. 5. od 10:00<\/p>

Denisovo n\u00e1b\u0159e\u017e\u00ed \u2013 parkovi\u0161t\u011b po b\u00fdval\u00e9m KD<\/p><\/div><\/div>

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Holandsk\u00e9 studio NL Architects chce touto instalac\u00ed, stejn\u011b jako p\u0159ed \u010dty\u0159mi lety v Amsterdamu, o\u017eivit nehostinn\u00e9 parkovi\u0161t\u011b. Dev\u011bt patovac\u00edch green\u016f d\u00e1 plze\u0148an\u016fm p\u0159\u00edle\u017eitost si p\u0159i parkov\u00e1n\u00ed zahr\u00e1t minigolf a spojit tak tyto dv\u011b aktivity - putt and park (patuj a parkuj). C\u00edlem je upozornit na potenci\u00e1l prozatimn\u011b nevyu\u017e\u00edvan\u00fdch ploch v centru m\u011bsta a ov\u011b\u0159it, zda lze vkl\u00e1d\u00e1n\u00edm do\u010dasn\u00fdch nov\u00fdch aktivit p\u0159isp\u011bt k jejich integraci do okol\u00ed. Krom toho aktivuje m\u00edsto tak\u00e9 jakousi hravou verz\u00ed zelen\u00e9ho grafitti.\n
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\u00bb NL Architects<\/strong><\/a>\n
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NL Architects je amsterdamsk\u00e1 architektonick\u00e1 kancel\u00e1\u0159, kterou spole\u010dn\u011b zalo\u017eili Pieter Bannenberg, Walter van Dijk a Kamiel Klaasse. Ofici\u00e1ln\u011b otev\u0159eli architektonickou praxi a\u017e v lednu 1997, ale spole\u010dn\u011b pracuj\u00ed ji\u017e od po\u010d\u00e1tku devades\u00e1t\u00fdch let. V\u0161ichni t\u0159i absolvovali Technickou univerzitu v Delftu. \n
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NL Architects na sebe poprv\u00e9 upozornili v roce 1994 \u00fasp\u011bchem ve studentsk\u00e9 sout\u011b\u017ei Archiprix s projektem Carstadt, kter\u00fd inovativn\u00edm zp\u016fsobem kombinoval obchodn\u00ed d\u016fm a gar\u00e1\u017ee v historick\u00e9m j\u00e1dru Amsterdamu. Od t\u00e9 doby se etablovali jako jedna z nejzaj\u00edmav\u011bj\u0161\u00edch architektonick\u00fdch kancel\u00e1\u0159\u00ed, zda\u0159ile kombinuj\u00edc\u00ed promy\u0161lenost koncept\u016f s humorem. \n
\n
Pr\u00e1v\u011b humor je jednou z velk\u00fdch deviz architektonick\u00e9ho v\u00fdzkumu tohoto p\u0159edn\u00edho evropsk\u00e9ho studia. Humor se v architektu\u0159e moc nenos\u00ed, ale pr\u00e1v\u011b NL Architects se d\u00edvaj\u00ed na sou\u010dasnou architekturu a urbanismus \u00fapln\u011b jin\u00fdm prismatem.\n
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Stromy<\/p>

Benedikt Tolar<\/p><\/div>

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19. 5.\u201331. 5. \/ po, st 7:30\u201317:00; \u00fat, \u010dt, p\u00e1 7:30\u201316:00<\/p>

Magistr\u00e1t m\u011bsta Plzn\u011b, n\u00e1m\u011bst\u00ed Republiky 1<\/p><\/div><\/div>

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Benedikt Tolar (1975) poch\u00e1z\u00ed z Plzn\u011b. V letech 1996\u20132002 studoval na pra\u017esk\u00e9 Akademii v\u00fdtvarn\u00fdch um\u011bn\u00ed, nejprve v socha\u0159sk\u00e9m ateli\u00e9ru Karla Nepra\u0161e, pot\u00e9 u mal\u00ed\u0159e Vladim\u00edra Skrepla. Pracoval jako pedagog, restaur\u00e1tor a samoz\u0159ejm\u011b jako socha\u0159. Jeho d\u00edlem byly i v\u00fdtvory um\u011blce M\u00e1ry z H\u0159ebejkova filmu Pupendo. V sou\u010dasnosti p\u016fsob\u00ed jako asistent na \u00dastavu um\u011bn\u00ed a designu Z\u010cU v Plzni.\n
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\u00bb Benedikt Tolar<\/strong><\/a>\n\n<\/p><\/div>

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Moderna v\u011b\u017e, tribuna<\/p>

Franti\u0161ek Kowolowski<\/p><\/div>

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19. 5.\u201330. 9. \/ venkovn\u00ed instalace<\/p>

ulice Bed\u0159icha Smetany<\/p><\/div><\/div>

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Informace - technologie - ideje - entropie velk\u00e9ho p\u0159\u00edb\u011bhu modernity...<\/strong> mo\u017enost na t\u00e9to \"platform\u011b\" poskytnout div\u00e1kovi osobn\u00ed prostor pro ve\u0159ejnou prezentaci n\u00e1zor\u016f, ideogram ve\u0159ejn\u00fdch demonstrac\u00ed, vox populi, demonstrace bez demonstrant\u016f...\n
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Pivn\u00ed font\u00e1na<\/p>

Archwerk \u2013 Martin Kloda<\/p><\/div>

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19. 5.\u201330. 9. \/ venkovn\u00ed instalace<\/p>

are\u00e1l Plze\u0148sk\u00e9ho Prazdroje<\/p><\/div><\/div>

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Whispering Tower<\/p>

Kengo Kuma & Associates + Archwerk + studenti<\/p><\/div>

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19. 5.\u201330. 9. \/ venkovn\u00ed instalace<\/p>

are\u00e1l Plze\u0148sk\u00e9ho Prazdroje<\/p><\/div><\/div>

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Realizace bambusov\u00e9ho pavilonu, jeho\u017e projekt vznikl b\u011bhem mezin\u00e1rodn\u00edho workshopu konan\u00e9ho p\u0159i p\u0159\u00edle\u017eitosti pra\u017esk\u00e9 v\u00fdstavy v\u00fdznamn\u00e9ho japonsk\u00e9ho architekta Kenga Kumy ve spolupr\u00e1ci se studiem Archwerk.\n
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\u00bb Galerie Jarolava Fragnera<\/strong><\/a>\n
\u00bb Kengo Kuma & Associates<\/strong><\/a>\n
\u00bb Archwerk<\/strong><\/a>\n
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Zvuk tr\u00e1vy<\/p>

Ale\u0161 Hn\u00edzdil<\/p><\/div>

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19. 5.\u201330. 9. \/ venkovn\u00ed instalace<\/p>

\u0160truncovy sady<\/p><\/div><\/div>

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Projekt \u201eZvuk tr\u00e1vy\u201c\n
vych\u00e1z\u00ed z vertik\u00e1ln\u00edho v\u011bdom\u00ed, \n
spiritu\u00e1ln\u00ed touhy po vnit\u0159n\u00ed harmonii \n
a splynut\u00ed s prostorem. \n
Je v n\u011bm obsa\u017eena i nekone\u010dn\u00e1 pot\u0159eba po znovuzrozen\u00ed. \n
Trv\u00e1n\u00ed \n
v nikdy nekon\u010d\u00edc\u00edm cyklu opakovan\u00e9 existence \n
a jako du\u00e1ln\u00ed rozpolcen\u00ed \n
i bezb\u0159eh\u00e1 pot\u0159eba vlastn\u00edho prosazen\u00ed. \n
Od prav\u011bku a\u017e po sou\u010dasnost \n
je aspekt vertik\u00e1ln\u00ed energie, \n
expanduj\u00edc\u00edm projevem v\u0161eho \u017eiv\u00e9ho v prostoru. \n
\u017div\u00e9 v\u011bdom\u00ed, \n
jako z\u00e1znam, \n
reflexe pohybu a zvuku v prostoru \n
je esenci\u00e1ln\u00edm aspektem, \n
probouzej\u00edc\u00edm pot\u0159ebu propojen\u00ed \n
s principem nikdy nekon\u010d\u00edc\u00edch prom\u011bn \n
proces\u016f prol\u00edn\u00e1n\u00ed hmoty, \n
pr\u00e1zdna \n
a spirituality, \n
kter\u00e1 je jejich sou\u010d\u00e1st\u00ed.<\/p>\n
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\u00bb Ale\u0161 Hn\u00edzdil<\/strong><\/a>\n
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ABBKBKBB<\/p>

Jan Zdvo\u0159\u00e1k<\/p><\/div>

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19. 5.\u201310. 9. \/ venkovn\u00ed instalace<\/p>

Zemn\u00edk U Je\u017e\u00ed\u0161ka<\/p><\/div><\/div>

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Objekt pat\u0159\u00ed do s\u00e9rie venkovn\u00edch instalac\u00ed kter\u00e9 spojuje t\u00e9ma prostorov\u00e9 abstrakce p\u00edsma. Form\u00e1ln\u011b jsou z\u0159ejm\u00e9 dekonstruktivistick\u00e9 tendence. V detailu je mo\u017en\u00e9 dohledat odkazy na r\u016fzn\u00e9 sm\u011bry dvac\u00e1t\u00e9ho stolet\u00ed.\n
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\u00bb Jan Zdvo\u0159\u00e1k<\/strong><\/a>\n
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Bloom<\/p>

Jose Sanchez, Alisa Andrasek<\/p><\/div>

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19. 5.\u201330. 9. \/ venkovn\u00ed instalace<\/p>

Pap\u00edrna Plze\u0148<\/p><\/div><\/div>

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V\u00fdrazn\u00e1, syt\u011b r\u016f\u017eov\u00e1 3D skl\u00e1da\u010dka nazvan\u00e1 BLOOM je hra\u010dka ur\u010den\u00e1 pro \"zahradni\u010den\u00ed\" ve m\u011bst\u011b. Umo\u017e\u0148uje skl\u00e1dat komponenty do r\u016fzn\u00fdch tvar\u016f a podoby, do spir\u00e1l, v\u011btv\u00ed nebo kruh\u016f, ale rovn\u011b\u017e je mo\u017en\u00e9 z n\u00ed slo\u017eit funk\u010dn\u00ed mobili\u00e1\u0159.\n
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Nezest\u00e1rl\u00e9 stromy<\/p>

Dagmar \u0160ubrtov\u00e1<\/p><\/div>

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19. 5.\u201330. 9. \/ venkovn\u00ed instalace<\/p>

sady P\u011btat\u0159ic\u00e1tn\u00edk\u016f<\/p><\/div><\/div>

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Les m\u016f\u017ee b\u00fdt chap\u00e1n jako krajina na\u0161eho st\u00e1tu, ta byla v\u017edy p\u0159irozen\u011b zalesn\u011bna, ornou p\u016fdu i p\u016fdu pro sv\u00e1 obydl\u00ed museli lid\u00e9 p\u0159\u00edrod\u011b vz\u00edt. Brali ji lesu. V dne\u0161n\u00ed dob\u011b se sna\u017e\u00edme p\u0159\u00edrodu st\u00e1le v\u00edce ovl\u00e1dnout, n\u011bkdy se v\u0161ak zm\u00fdl\u00edme a p\u0159\u00edroda n\u00e1m to pak symbolicky p\u0159edstav\u00ed ve sv\u00e9 definitivn\u00ed podob\u011b.\n
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\u00bb Dagmar \u0160ubrtov\u00e1<\/strong><\/a>\n
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Obora <\/p>

Jakub Hepp<\/p><\/div>

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19. 5.\u201330. 9. \/ venkovn\u00ed instalace<\/p>

ulice Sukova-Folmavsk\u00e1 \u2013 kruhov\u00fd objezd<\/p><\/div><\/div>

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Kruhov\u00fd objezd je nejen dopravn\u00ed stavbou, ale tak\u00e9 architektonick\u00fdm a krajinotvorn\u00fdm prvek. Jeho\u00a0zkr\u00e1\u0161lov\u00e1n\u00ed za lecjak\u00fdm \u00fa\u010delem\u00a0se st\u00e1v\u00e1\u00a0v \u010cesk\u00e9 republice\u00a0velmi obl\u00edbenou discipl\u00ednou. Kam a\u017e lze zaj\u00edt?\n
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D\u016fm pro matematika, Socha pro Josefa Hl\u00e1vku<\/p>

V\u00e1clav Fiala<\/p><\/div>

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19. 5.\u201330. 9. \/ venkovn\u00ed instalace<\/p>

Proluka, m\u011bstsk\u00e9 sady<\/p><\/div><\/div>

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\u00bb V\u00e1clav Fiala<\/strong><\/a>\n
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Invern\u00e1culo<\/p>

Gardners \u2013 zahradn\u00ed architektura s.r.o. a EGO\u00c9 s.r.o.<\/p><\/div>

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14. 6.\u201330. 9. \/ po\u2013p\u00e1 11:00\u201319:00; so\u2013ne 10:00\u201318:00<\/p>

Mal\u00fd sklen\u00edk, DEPO 2015<\/p><\/div><\/div>

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Sedni si - Ho\u010f si nohy nahoru - Pohov si - Ob\u010derstvi se - Naber s\u00edly - a hlavn\u011b se informuj.\n
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\u00bb EGO\u00c9<\/strong><\/a>\n
\u00bb Gardners<\/strong><\/a>\n
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HERNAis<\/p>

Benedikt Tolar<\/p><\/div>

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14. 6.\u201330. 9. \/ po\u2013p\u00e1 11:00\u201319:00; so\u2013ne 10:00\u201318:00<\/p>

DEPO2015<\/p><\/div><\/div>

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Origin\u00e1ln\u00ed d\u011btsk\u00e1 herna plze\u0148sk\u00e9ho socha\u0159e Benedikta Tolara vytvo\u0159en\u00e1 z plastov\u00fdch popelnic a kontejner\u016f, kter\u00e1 chce i nejmen\u0161\u00ed n\u00e1v\u0161t\u011bvn\u00edky hravou formou dov\u00e9st k pozn\u00e1n\u00ed, \u017ee existuje t\u00e9ma odpadu a jeho t\u0159\u00edd\u011bn\u00ed.\n
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\u00bb Benedikt Tolar<\/strong><\/a>\n
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Povrchn\u00ed zahrady<\/p>

Jakub Hepp<\/p><\/div>

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14. 6.\u201330. 9. \/ po\u2013p\u00e1 11:00\u201319:00; so\u2013ne 10:00\u201318:00<\/p>

DEPO2015<\/p><\/div><\/div>

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Expozice kter\u00e1 spole\u010dn\u011b s v\u00fdstavou n\u00e1v\u0161t\u011bvn\u00edk\u016fm p\u0159ibl\u00ed\u017e\u00ed problematiku ozelen\u011bn\u00ed st\u0159ech a fas\u00e1d budov s d\u016frazem nejen na design a technologie ale tak\u00e9 udr\u017eitelnost a \u017eivotn\u00ed prost\u0159ed\u00ed.\n
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Zelen\u00e1 st\u0159echa roku<\/strong>\n
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V\u00fdstava prezentuj\u00edc\u00ed v\u00fdsledky t\u0159\u00ed ro\u010dn\u00edk\u016f sout\u011b\u017ee Zelen\u00e1 st\u0159echa roku. P\u0159edstav\u00ed to nejlep\u0161\u00ed, co se v posledn\u00edch letech v \u010cesk\u00e9 republice odehr\u00e1lo na poli ozele\u0148ov\u00e1n\u00ed st\u0159ech, fas\u00e1d a jin\u00fdch stavebn\u00edch konstrukc\u00ed.\n
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\u00bb Zelen\u00e9 st\u0159echy<\/strong><\/a>\n
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Lapen\u00e1 Aquabella <\/p>

Dan Merta, Tom\u00e1\u0161 Valu\u0161ek<\/p><\/div>

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14. 6.\u201330. 9. \/ venkovn\u00ed instalace<\/p>

p\u0159edprostor baz\u00e9nu \u2013 Plze\u0148 Slovany<\/p><\/div><\/div>

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Kolektivu Landscape festivalu se poda\u0159ilo zachr\u00e1nit aquabellu, kter\u00e1 se topila na soutoku \u0159ek........... \n
Pro v\u011bt\u0161\u00ed osobn\u00ed bezpe\u010dnost a pot\u011bchu ji zrealizovali pavilon, kde p\u0159edv\u00e1d\u00ed sv\u00e9 ladn\u00e9 pohyby.\n
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Krajina v t\u00edsni<\/p>

Hana Bo\u0159\u00edkov\u00e1<\/p><\/div>

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14. 6.\u201330. 9. \/ venkovn\u00ed instalace<\/p>

ulice Divadeln\u00ed - kruhov\u00fd objezd<\/p><\/div><\/div>

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Posledn\u00ed kousek zelen\u011b beze zbytku vyu\u017eit\u2026 Komu v p\u0159\u00edpad\u011b m\u011bsto vs. p\u0159\u00edroda fand\u00edte Vy?<\/p><\/div>

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D\u00e1msk\u00e9 poln\u00ed toalety <\/p>

Lenka Klodov\u00e1<\/p><\/div>

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15. 6.\u201330. 9. \/ venkovn\u00ed instalace<\/p>

Boleveck\u00e9 rybn\u00edky<\/p><\/div><\/div>

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\u00davahy nad anatomi\u00ed a ve\u0159ejn\u00fdm prostorem mn\u011b dovedly k odv\u011bk\u00e9mu probl\u00e9mu genderov\u00e9 nevyv\u00e1\u017eenosti, kter\u00e1 se t\u00fdk\u00e1 mo\u017enosti mo\u010den\u00ed ve venkovn\u00ed p\u0159\u00edrod\u011b. Mu\u017ei si mohou stoupnout ke stromu nebo ke sloupu a t\u00edm si zakr\u00fdt nezbytn\u011b odhalen\u00fd kousek t\u011bla, kter\u00fd je pouze mal\u00fd, proto\u017ee m\u00f3da jim tak\u00e9 nadr\u017euje a nenut\u00ed je b\u00fdt p\u0159i mo\u010den\u00ed t\u00e9m\u011b\u0159 z poloviny t\u011bla nah\u00fd.\n
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Smyslem d\u00e1msk\u00e9 poln\u00ed toalety je umo\u017enit \u017een\u00e1m mo\u010den\u00ed v p\u0159\u00edrod\u011b, tak jak to obvykle d\u011bl\u00e1vaj\u00ed \u2013 v d\u0159epu, a z\u00e1rove\u0148 b\u00fdt u toho zezadu decentn\u011b zakryt\u00e1. Navrhuji pro tyto \u00fa\u010dely d\u0159ev\u011bn\u00e9 objekty, kter\u00e9 minimalistick\u00fdm zp\u016fsobem opisuj\u00ed t\u011blesn\u00e9 tvary d\u0159ep\u00edc\u00ed \u017eeny, ve dvou typech \u2013 Stan a Sala\u0161. \n
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Poln\u00ed toalety doporu\u010duji umis\u0165ovat ve skupink\u00e1ch, proto\u017ee si r\u00e1dy p\u0159i \u010d\u016fr\u00e1n\u00ed pov\u00edd\u00e1me.\n
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\u00bb Lenka Klodov\u00e1<\/strong><\/a>\n
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Teufelssee<\/p>

Kai Teichert<\/p><\/div>

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15. 6.\u201330. 9. \/ venkovn\u00ed instalace<\/p>

Boleveck\u00e9 rybn\u00edky<\/p><\/div><\/div>

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Panorama \u201e\u010e\u00e1blovo jezero\u201c<\/strong> zachycuje d\u011bn\u00ed v okol\u00ed berl\u00ednsk\u00e9ho lesn\u00edho jezera, kter\u00e9 je obl\u00edbenou destinac\u00ed milovn\u00edk\u016f koup\u00e1n\u00ed. Pozorovateli se d\u00edky n\u011bmu nask\u00fdt\u00e1 v\u00fdhled z vody po zapln\u011bn\u00fdch b\u0159ez\u00edch.\n
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Panorama tvo\u0159\u00ed 11 velkoform\u00e1tov\u00fdch kreseb uhlem (postaveny vedle sebe jsou 2,6 m vysok\u00e9 a 36 m dlouh\u00e9), z nich\u017e ka\u017ed\u00e1 m\u00e1 sv\u00e9 tematick\u00e9 t\u011b\u017ei\u0161t\u011b, vyj\u00e1d\u0159en\u00e9 t\u00e9\u017e jej\u00edm podtitulem:\n
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Eden \u2013 Splash Beach \u2013 Venus Beach \u2013 Fuck Wood \u2013 Battle Wood \u2013 Float \u2013 Phoenix Wood \u2013 Dragon Wood \u2013 Christopher Beach \u2013 Shiva Shakti Beach \u2013 Sun.<\/strong>\n
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\u00bb Kai Teichert<\/strong><\/a>\n
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P \u2013 2 <\/p>

Michal Sedl\u00e1k<\/p><\/div>

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15. 6.\u201330. 9. \/ venkovn\u00ed instalace<\/p>

Boleveck\u00e9 rybn\u00edky<\/p><\/div><\/div>

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Podivn\u00fd plovouc\u00ed objekt, kter\u00fd m\u016f\u017ee asociovat podobnost s ponorkou. Je pokryt\u00fd borovou k\u016frou, vytv\u00e1\u0159\u00ed dojem p\u0159\u00edrodn\u00ed podstaty, ve skute\u010dnosti jde ale o jist\u00fd rozpor. Je to jak\u00e9si mimikra um\u011blosti. Je nen\u00e1padn\u011b zakotven ve slab\u00e9m vodn\u00edm proudu \u0159\u00ed\u010dky a m\u00e1 ob\u010das tendenci mu pon\u011bkud vzdorovat d\u00edky jednoduch\u00e9mu technologick\u00e9mu tajemstv\u00ed ukryt\u00e9mu uvnit\u0159 objektu.\n
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Struktura a pota\u017emo konstrukce P - 2 vych\u00e1z\u00ed z principu zd\u00e1nliv\u011b nahodil\u00e9ho propojen\u00ed d\u0159ev\u011bn\u00fdch p\u0159epravek na ovoce a zeleninu jako ur\u010dit\u00fdch jednotek, kter\u00e9 tvo\u0159\u00ed ur\u010dit\u00fd celek. Metaforicky lze \u0159\u00edci, \u017ee se tyto \u010dl\u00e1nky nach\u00e1zej\u00ed v na\u0161em mikro i makrosv\u011bt\u011b.\n
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\u00bb Michal Sedl\u00e1k<\/strong><\/a>\n
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\u017dena krajina III.<\/p>

Kurt Gebauer<\/p><\/div>

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15. 6.\u201330. 9. \/ venkovn\u00ed instalace<\/p>

Boleveck\u00e9 rybn\u00edky<\/p><\/div><\/div>

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\u017dena Krajina byla p\u016fvodn\u011b vytvo\u0159ena v roce 1991 na Vysok\u00e9 \u0161kole um\u011bleckopr\u016fmyslov\u00e9 v Praze. Jednalo se o osmimetrov\u00fd model zat\u00edm bohu\u017eel neuskute\u010dn\u011bn\u00e9 stometrov\u00e9 krajiny. Letos se jej\u00ed t\u0159et\u00ed opakov\u00e1n\u00ed objev\u00ed na Boleveck\u00fdch rybn\u00edc\u00edch v Plzni.\n
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\u00bb Kurt Gebauer<\/strong><\/a>\n
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Houpa\u010dky pro krajinu<\/p>

naOkraji<\/p><\/div>

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15. 6.\u201330. 9. \/ venkovn\u00ed instalace<\/p>

Boleveck\u00e9 rybn\u00edky<\/p><\/div><\/div>

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Rozhoupejme \u010deskou krajinu!<\/strong>\n
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Vyzdvihn\u011bme potenci\u00e1l zaj\u00edmav\u00fdch m\u00edst\u2026 upozorn\u011bme na kr\u00e1sn\u00e9, le\u010d skryt\u00e9 m\u00edsto v na\u0161em okol\u00ed radostn\u00fdm zp\u016fsobem\u2026 jak? pov\u011bsme houpa\u010dku!<\/strong>\n
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\u010cesk\u00e1 krajina je zahlcena informa\u010dn\u00edmi cedulemi a nau\u010dn\u00fdmi stezkami, kter\u00e9 \u010dasto nerespektuj\u00ed m\u00edsto samotn\u00e9. proto hled\u00e1me cestu, jak upozornit na zaj\u00edmav\u00e1 m\u00edsta zp\u016fsobem, kter\u00fd bude ke krajin\u011b citliv\u00fd. \u010dasto spole\u010dn\u011b diskutujeme o z\u00e1jmu lid\u00ed o krajinu, o tom jak si ji \u010dlov\u011bk podma\u0148uje, ale z\u00e1rove\u0148 k n\u00ed ztr\u00e1c\u00ed vztah, a tak\u00e9 o tom, jak tento trend, kter\u00fd se n\u00e1m zd\u00e1 neuspokojiv\u00fd, zm\u011bnit. dosp\u011bli jsme k z\u00e1v\u011bru, \u017ee je pot\u0159eba za\u010d\u00edt od mal\u00fdch v\u011bc\u00ed. jednou z takov\u00fdch \u201emal\u00fdch v\u011bc\u00ed\u201c m\u016f\u017ee b\u00fdt houpa\u010dka \u2013 symbol spole\u010dn\u00e9 radosti, hravosti a rozhledu. houpa\u010dka jako symbol pozn\u00e1n\u00ed krajiny a prohlubov\u00e1n\u00ed vztahu k n\u00ed.\n
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\u00bb naOkraji<\/strong><\/a><\/p><\/div>

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Parallel Path <\/p>

OTTOTTO<\/p><\/div>

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21. 6.\u201330. 9. \/ venkovn\u00ed instalace<\/p>

Anglick\u00e9 n\u00e1b\u0159e\u017e\u00ed \u2013 Piazzetta u Komer\u010dn\u00ed banky<\/p><\/div><\/div>

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Co se stane, kdy\u017e bude ve m\u011bst\u011b vytvo\u0159ena paraleln\u00ed cesta b\u011b\u017en\u00fdm ulic\u00edm a n\u00e1m\u011bst\u00ed? Jak\u00fd pocit nastane, kdy\u017e vstoup\u00edme do nov\u00e9 dimenze, kde budeme zcela voln\u00ed\u2026? Paraleln\u00ed cesta n\u00e1m nab\u00eddne prostor, kudy budeme moci proj\u00edt \u010di protan\u010dit a z\u00e1rove\u0148 se i osv\u011b\u017eit v parn\u00edch letn\u00edch dnech.\n
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\u00bb OTTOTTO<\/strong><\/a>\n
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2\u00d710 a zdar<\/p>

v\u00fdstavn\u00ed pavilon od H3T Architekti<\/p><\/div>

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21. 7.\u201330. 9. \/ st, p\u00e1 17:00\u201322:00; so 14:00\u201322:00; ne 14:00\u201320:00<\/p>

M\u011bstsk\u00e1 plov\u00e1rna<\/p><\/div><\/div>

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\u00bb H3T Architects<\/strong><\/a>\n
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\nV\u00fdstava SLUNCE VODA VZDUCH<\/strong>\n
\nFotografick\u00e1 v\u00fdstava mapuje historii plze\u0148sk\u00fdch plov\u00e1ren a l\u00e1zn\u00ed. Prvn\u00ed \u010d\u00e1st v\u00fdstavy je um\u00edst\u011bna N\u00e1rodopisn\u00e9 muzeum Plze\u0148ska \u2013 pr\u016fjezd. Druh\u00e1 \u010d\u00e1st v\u00fdstavy je k vid\u011bn\u00ed od 21. \u010dervence v Plov\u00e1rensk\u00e9m pavilonu 2x10 a zdar od H3T Architekti.\n
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\u00bb M\u011bstsk\u00e1 plov\u00e1rna<\/strong><\/a>\n
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Vych\u00e1zka pro Ladislava Sutnara<\/p>

Ji\u0159\u00ed Ber\u00e1nek<\/p><\/div>

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HAPPENING: 1. 7. <\/p>

p\u0159edprostor Fakulty designu a um\u011bn\u00ed Ladislava Sutnara v Plzni<\/p><\/div><\/div>

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Po deinstalaci MOVING FOREST<\/strong> od nizozemsk\u00e9 kancel\u00e1\u0159e NL Architects na n\u00e1m\u011bst\u00ed Republiky budou stromy vys\u00e1zeny p\u0159ed Fakultu designu a um\u011bn\u00ed Ladislava Sutnara, aby se staly sou\u010d\u00e1st\u00ed vznikaj\u00edc\u00edho landartov\u00e9ho d\u00edla zdej\u0161\u00edho pedagoga Prof. Ber\u00e1nka. \n
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\u00bb Fakulta designu a um\u011bn\u00ed Ladislava Sutnara<\/strong><\/a><\/p><\/div>

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KUROP\u011aN\u00cd<\/p>

Hana Bo\u0159\u00edkov\u00e1, Sara Al-Wahaishi<\/p><\/div>

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1.\u201315. 9. \/ venkovn\u00ed instalce<\/p>

Borsk\u00fd park<\/p><\/div><\/div>

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\u201cJak\u00e1 \u0161koda, \u017ee p\u00edt vodu nen\u00ed h\u0159\u00edch\u2026 Jak by n\u00e1m chutnala!\u201d\n
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Georg Christoph Lichtenberg<\/p><\/div>

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